Universal Home Video will release a second volume of Woody Woodpecker cartoons on Tuesday. Picking up right after Volume 1, this three-disc set contains the next 45 Woody cartunes (Volume 1 covered 1940-1952). It also has 30 additional Walter Lantz cartunes, featuring characters like Chilly Willy, Andy Panda, and even has a few Lantz-era Oswald the Lucky Rabbit cartoons. I can’t tell you how much I enjoyed Volume 1. If you haven’t seen any Woody Woodpecker cartoons in a while, Volume 1 is a great way to reacquaint yourselves and remember just how funny these shorts were.
Here’s a great screengrab from one Vol. 2 cartune, which I stole from Thad K’s blog.


I got a kick out of Richard Shepard’s last flick, The Matador, and I’ve been looking forward to his latest, The Hunting Party, for a while. Sadly, it only had a limited release and went by unnoticed. It played at the Landmark Sunshine in my street, but with all the awards films coming out at the same time, I missed it. Then when it came out on video recently, it had a Very Long Wait for what seemed like an eternity on Netflix. The Hunting Party was released by The Weinstein Co., who have an exclusive rental agreement with Blockbuster. Netflix still manages to get copies of these films, as they are for sale at any store, but they are only able to get a handful of them. (Well, maybe more than just a handful, but compared to the quantities they carry for other titles, it’s very little) So, that’s why I didn’t see this until now, despite the fact that I was anxious about seeing it.
What happened to Rod Lurie? He started out with an interesting doomsday thriller in 1999 (Deterrence), followed it up with the terrific political thriller The Contender in 2000, but then struck out with the Robert Redford/James Gandolfini prison flick The Last Castle a year later. He didn’t make any more films until last year’s Resurrecting the Champ, which I finally watched the other day. Samuel L. Jackson tries a squeaky voice and makes every scene he is in almost unbearable. Shockingly, Josh Hartnett’s acting is solid, and Alan Alda and Peter Coyote are notable in supporting roles. It tries to be inspirational, which usually equals ’sappy’ and/or ‘melodramatic’ - a territory I wasn’t expecting Lurie to tread, based on his first two films. (I don’t remember The Last Castle well enough, other than the fact that I disliked it. Lurie has another film coming out this year, which I anxiously await.


